Module 01 – Basics

Content

Abstract

This is a selection of the results generated during “Module 01 – Basics”.

Module Content: Photography basics (camera, apperture, shutter speed, etc.)
Module Teacher: Mohan Dehne

Assignment 01 – Chain Letter

Description

Based on a photo received either from the teacher or from another student, make a new image that rhymes on the received on. Send this image and send it to the next student. This in the end creates a chain of images that should have some sort of image rhyme.

Plan

This assignment was cancelled by the teacher.

Assignment 02 – Photo Diary

See Photo Diary.

Assignment 03 – Portrait of a Loved One

Description

Take a portrait photo of a loved one.

Plan

Take actually two images, two show the (at least) two sides of my wife:

Results

Lovingly - white
Lovingly - white
Lovingly - white
Lovingly - white
Lovingly - white
Lovingly - white
Lovingly - white
Lovingly - white
Business Woman - white
Business Woman - white
Business Woman - black
Business Woman - black
Business Woman - white
Business Womam - white

Assignment 04 – Reconstruction

Description

Take an image of a photographer you like and try to reconstruct it, mimicking technique and form.

Plan

Idea: take one of the images of Bill Brandt and recreate it.

Results

Human Forms I
Human Forms I
My reproduction of Bill Brandt's original image “Nude, East Sussex Coast”..
The image is not a 100% copy of the original, but uses its basic ideas, and certainly copies what I liked so much about it, namely showing human forms in an abstract way.
Human Forms II
Human Forms II
Based on the same principles, I constructed some more images, this time using my own ideas.
Human Forms III
Human Forms III
Another example.

Assignment 05 – My Street

Description

Make a series of at least 6 photos depicting the street in which you live.

Plan

I would typecast my street as an average, modal, quiet, street with lots of green. Not too many children, average age 40+. To depict this, I am thinking of taking images of the following:

Feedback from the initial showing of my draft results to the class as well as the teacher coupled with the different approach he wanted to see from all of us, made me have to alter the above plan though.

While I still need to describe the street, I will now need to focus more on a “theme”, whereas I previously showed a mixture of themes and subjects. I therefore decided to capture the middle-classness of our street. There are various examples of that and I will try to capture a few of them.

Results

Below six images form the representation of my street. In print these were combined into a small booklet printed on A4 paper in landscape orientation with each following page bigger than the previous. This resulted in a tiled booklet where underneath each page, the next one partially shows through. A title page completed everything.
Welcome and Beware of the Dog Sign
Welcome and Beware of the Dog Sign
Table and Chairs
Table and Chairs
Cosy stone circle
Cosy stone circle
Bird house
Bird house
Pumpkin on Stairs
Pumpkin on Stairs
Plant Boots
Plant Boots

Assignment 06 – Presentation of a Well Known Photographer

Description

As a group exercise, make a short presentation of a well known photographer. In our case this is “Erwin Olaf”.

Results to be presented 10/09/2008.

Plan

Our group:

Apart from the above personal tasks, everyone is to find about three images they like best and describe why they like them best. All results (draft) to be in before 30/08/2008. The presentation is scheduled for 10/09/2008.

Results

See presentation.

School Day 01 – Expectations for the first week

Description

Describe your expectations of the week.

Plan

As expectations for the first week I have defined the following:

Results

All my expectations have basically been fulfilled.

School Day 01 – Henri Cartier-Bresson

Description

Take images in “Henri Cartier-Bresson”-style.

Plan

Apart from the “moment” and the cleanliness (geometry, everything fits), what I also picked-up from Henri Cartier-Bresson's style, is his ability of getting the moment by means of people's expressions. As people are not normally the subject I take pictures off, my plan is to concentrate on people and their expressions. I will therefore be trying to capture them when they are focussed on an activity and capture their (facial) expression.

Results

Foreman instructing worker
Foreman instructing worker
Visible concentration of both the foreman and the worker.
Moving the H-Beam into place
Moving the H-Beam into place
The exertion of guiding the H-Beam is almost tangible.
Fitting the chains
Fitting the chains
Again, visible concentration on the job at hand.
Gruff
Gruff
Two people discussing things they visibly do not approve off.
Getting over the bridge
Getting over the bridge
People getting over the bridge is what I wanted to capture. It didn't work out as I wanted though, mainly because there are distracting things like the person taking a picture on the ship deck and the woman behind the row of people. I also would have liked to have the people to either have looked all in a different direction, or all in the same direction, for instance. But that would have required more time, to wait for something like that to happen.
Bicycle parked in the canal
Bicycle parked in the canal
Though not strictly within the scope of the assignment (and certainly not within my initial plan), I still could not resist taking this one.

School Day 01 – Portrait of a Classmate

Description

Make a portrait of a classmate.

Plan

Make a simple head-and-shoulders portrait of a classmate.

Results

Christine Heij
Christine Heij
Simple shot for the face book.
Christine Heij
Christine Heij
Though not part of the assignment, as it is a profile shot, I do like this one better.

School Day 02 – Who am I?

Description

In 3 to 5 images, describe yourself. Taking into account the technical aspects like aperture and shutter speed.

Plan

Take images containing the following (all important aspects of me):

Results

Walking about, I did not succeed in getting images covering all of the above. Computers and Technique was easy and was actually shot in class. Film and Music also wasn't too hard; there is a second hand shop down the road with lots of CDs and DVDs. The racks of CDs and DVDs also show a bit of structure (though to be perfect, the titles should have been alphabetised…)

Cats and Tea didn't really work out (even though I drank two cups of tea with the Chinese Shopkeeper where I took the next shot). Order, structure and everything properly categorised and labeled is what I depict with the image of the wall of boxes filled with herbs and stuff. For travel and sailing I went into the nautic shop near the school building, I took some shots, but they didn't work out so I have not included them. Finally as an example of Photography, and especially the fact that theory-wise I know my way around pretty well (now for the creative side…), I took an image of a book on photography and image editing.

Instead of printing 5 separate photos which in themselves are not really nice to look at, I decided to make a combination of them and bring them into one image.

Me!
Who Am I?
For a description, see above.

From the feedback from the class, I have succeeded in showing (part of) who I am pretty well.

School Day 03 – Composition

Description

Make photos showing the different compositions, e.g., symmetry, diagonals, stable/unstable, powerful, etc.

Plan

Straightforward: Look for examples of the different compositions and take a photo of them.

Results

Symmetry
Symmetry
An example of symmetry.
Diagonals
Diagonals
An example of diagonals.
Falling over
Falling over
An example of an “unstable” composition.

School Day 04 – Where do you Look?

Description

In a way a continuation of yesterday's day-assignment, this time we are to shoot using different techniques to get the viewer's focus on a certain aspect op the image. Examples of techniques are: Depth of Field, Lines, Movement, Viewpoint, Colour, etc.

Plan

No real plan, just try to find some examples of the different techniques.

Results

Swing
Swing
Maybe not the best example, but here I strived to use motion blur (of the background) to get the viewer's focus on the swing.
Letterbox No No
Letterbox No No
Here I tried to use colour to get the attention on the letters. This I further exaggerate by turning the rest of the image Black & White.

School Day 05 – Portrait II

Description

Take portrait shots of a class mate using “existing light” causing different lighting situations.

Plan

Look for different lighting conditions and make use of them.

Results

School Day 06 – Thrilling Story

Description

Take at most 24 images, select 6 of them and use them to tell a thrilling story.

Plan

Initially I had no idea what to do, but luckily this assignment was a group assignment. Discussing between the three of us, I soon developped the idea of making a series of the shoes of one of us running away, using motion blur (low shutter speeds) to accentuate the speed of things.

Results

A thrilling story in 6 images
Thrilling Story
Image tells the story of someone running away (from who/what is unclear). The lone shoe in the last frame leaves the viewer in suspense as to what happened to him.

School Day 07 – Hasselblad

Description

Practice light metering and medium format shooting with the Hasselblad.

Plan

In small groups of 3–4 people, take shots under different lighting conditions.

Results

Judging the result of the developed film (colour positive!), we were successful in measuring the light and setting up the camera correctly. Here are two scanned results.

David Reisig
David Reisig
Scan of an image taken with a Hasselblad.
David Reisig
David Reisig
Scan of an image taken with a Hasselblad.

School Day 08 – Perspective

Description

Describe the “bird” perspective and its uses, also give examples of known photographers and take one illustrative example yourself.

Plan

Browse internet for definition as well as examples. The take image of class mate from a higher standpoint, making him look subservient.

Results

See Vogelperspectief (Dutch text).

School Day 09 – Exhibitions

Description

Day 9 of module 01 is a so called “Project Day” where you are “free” to do what you want to do.

Plan

This time we decided (as a group) to visit two exhibitions held at van Zoetendaal and Foam.

Results

(Please see the listed websites for more details and background)

Van Zoetendaal

Although the website of van Zoetendaal states that the location is open daily from 11–18, you can actually only visit by appointment. We were lucky though: when we rang the bell the owner opened the door and let us in, he was even kind enough to tell us about the art (because that's what it is) he exhibits and how he works. Quite an interesting talk!

Van Zoetendaal always shows the work of others (basically of a group of about 15 photographers, all hand-picked by the owner himself, and many from the Rietveld Academy). By combining the work of different artists, and the way of placing the individual works, van Zoetendaal tries to “make” them, in that sense he himself is also an artist. Examples we saw were from Marjaana Kella, Paul Kooiker, Holger Niehaus, Johannes Schwartz, Harold Strak, and Wijnolt Visser (amongst others). With an example of Weegee (Arthur Fellig), we were shown what impact photography has (had?) on people, and especially how their behaviour is (was) adjusted. Famous in this respect is the photograph of a rescue attempt of a man who just drowned; the wife of the dying man is smiling into the lens!

Quote: “Art is the desire to want to understand”.

A very true statement, very much proven by the forms of art van Zoetendaal exhibits; without this desire, the works shown would have been nothing more than (sometimes very badly taken) pictures…

Foam

At the “FOAM_Fotografiemuseum Amsterdam” photos of Malick Sibidé (Chemises) and Pieter Hugo (The Hyena & Other Men) were exhibited. There was also an exhibition of Audrey Corregan (Obviously), but as I already spent all my time with Malick and Pieter, I didn't have time to view her photos as well.

Malick Sibidé’s photos taken in the 60's and 70's give a very good image of the time in the African country Mali (where he was born). Two types of pictures were shown at the exhibition: contact prints of “candids”, shot at various parties (Malick would visit up to five parties a night!), and various studio portraits. Of the “candids” (some where clearly posed), it was very interesting to learn that people really loved being photographed; as soon as the film was developed and the contact sheets printed they would rush to show themselves off to their friends (“look, that's me dancing with so and so”). Portraits were (are?) clearly seen as a way of showing yourself (your face and your possessions) to the world, important enough at least to practice in front of a mirror for! Having had a background in drawing further enabled Malick to have people pose in such a way that they still look alive (and not like a mummy).

Of Pieter Hugo, photos of street artists known as the Hyena Men were shown. Where Malick's images were mostly very small (contact sheet) prints, Pieter's images were shown in massively huge format. The format only amplified the power and impressiveness of the photos and their subject. Colour in the images is very subdued and basically only comes from the subject, again making your eyes focus on the important bit: the man and his (relation with the) animal. Very impressive!

All in all a very interesting exhibition, pitty I didn't have time to see the images of Audrey Corregan as well. Well, perhaps another day…

School Day 10 – Assessment

My Own Learnings this Module

Input

The following material was used as the basis of the Assessment:

Results

prev
next
play